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Rode Video Mic Pro Shotgun Microphone
Rode Video Mic Pro Shotgun Microphone
₹500.00
Longer than Rode’s VideoMicro and with a narrower pickup pattern, the Rode VideoMic GO camera-mount shotgun microphone offers enhanced off-axis rejection for tighter directionality. Like the VideoMicro, it runs on plug-in power and has no controls or switches, making it well suited for mobile journalists, vloggers, and run-and-gun shooters in a hurry.
This compact and lightweight shotgun microphone features an integrated shockmount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and camera handling. The windscreen design reduces wind noise, making it well suited for outdoor shoots. The detachable coiled 3.5mm TRS cable ensures easy hookup to your camera, and the dual-mono output means that no channel selection is necessary on your recording device.
Shotgun Mic with Directional Sound Pickup
Whereas most built-in camera microphones pick up sound from all directions, this microphone utilizes a supercardioid polar pattern to focus on sound in front of it while attenuating sound from the sides and rear. Its active electronics and directional condenser element deliver more detailed audio than the mics typically found in cameras and portable recorders.
Easy Hookup to Camera
A detachable coiled 3.5mm cable is supplied for fast hookup to your camera. The cable is wired in a dual-mono configuration, ensuring that the mic signal is sent identically to both input channels of your camera or portable recorder.
Runs on Plug-In Power
No batteries are required to operate the VideoMic GO. Just connect the microphone to your camera or recorder, enable plug-in power on the device, and forget about swapping or charging batteries.
Integrated Shockmount Inhibits Vibrations
Understanding that the rubber bands used in many shockmounts can snap and stretch, Rode chose to integrate a rugged Rycote Lyre suspension-style shockmount. This simplifies setup of the mic and inhibits the transfer of vibrations from the camera. Plus, the bottom of the shockmount features a camera shoe mount with a 3/8″ thread, ensuring easy attachment to your camera or a boompole such as Rode’s Micro Boompole (available separately).
Windscreen Minimizes Wind Noise
The VideoMic GO has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in outdoor environments, consider a furry windshield such as the Rode DeadCat GO (available separately).
Connectivity Options
Expand the microphone’s device compatibility with Rode accessories such as the SC4, SC7, and VXLR+ (all available separately). With either the SC4 or SC7, you can connect the VideoMic GO directly to a smartphone or tablet equipped with a 3.5mm TRRS jack. The VXLR+ adapter is the ideal solution when you want to record the VideoMic GO to a camcorder or mixer that has XLR inputs.
Overview
At the heart of the VideoMic Pro is an all-new 1/2″ condenser capsule that provides broadcast-quality audio via a 3.5mm minijack connector (outputting the mono signal to both left and right channels) with an incredibly low self-noise of just 14db. A super-cardioid polar pattern ensures that surrounding audio is minimised, and your recording is focused on the subject in front of the camera.
The integrated Rycote® Lyre® based shock mounting system separates the VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
Easily accessible on the rear face of the microphone are the power, filter and level controls. In addition to the microphone’s native 40Hz-20kHz response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.
Below these controls are the level settings, which attenuate or boost the recorded level as required. The -10dB level attenuation (or PAD) is ideal for recording loud sound sources, such as live music, motorsport, or interviews where the subject is very close to the camera. The +20dB level boost is designed for use with DSLR cameras, allowing the user to reduce the camera’s preamp level (or mic-input level), effectively reducing the amount of noise generated by the camera’s comparatively low quality audio circuitry.
The microphone uses a standard sized shoe mount for on camera use, and features a 3/8″ thread in the base of the mount for easy boom pole mounting.
The VideoMic pro is battery powered, and provides over 70 hours recording from a single 9V battery.
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